The Open Door

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The Open Door
The Open Door cover
Released September 25, 2006
Recorded September 2005 - March 2006
Label Wind-up Records
Length 54:15
Producer Dave Fortman
Previous Release Anywhere But Home (2004)
Next Release Evanescence (2011)
Singles
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The Open Door is Evanescence's second studio album and third album overall. It was released on September 30, 2006 in Australia and Italy, October 2, 2006 in Europe and October 3, 2006 in North America. The album was recorded at The Record Plant in Hollywood, California, and mixed at Ocean Way Studios in March of 2006. Has since sold more than 5 million copies worldwide,[1] with 2.1 million copies sold in the US alone.[2]

The piano is the principal instrument for the album. The album was leaked to the public on September 4th, 2006.

Amy referred to the album's title during an interview:

Vin1.jpg I feel like I've got that out of my system. I’m happy. I feel good now. I feel free. That's why the album is called The Open Door because I feel like all the doors in my life I pushed open, and now I can do whatever I want. Vin2.jpg


Track listing

  1. "Sweet Sacrifice"
  2. "Call Me When You're Sober"
  3. "Weight of the World"
  4. "Lithium"
  5. "Cloud Nine"
  6. "Snow White Queen"
  7. "Lacrymosa"
  8. "Like You"
  9. "Lose Control"
  10. "The Only One"
  11. "Your Star"
  12. "All That I'm Living For"
  13. "Good Enough"

Japanese edition bonus track

  1. "Call Me When You're Sober" (Acoustic version)

Japanese limited edition

  1. "Call Me When You're Sober" (Video)
  2. Making of the Video

B-sides

Singles

Callmeconsumecover.jpg

Call Me When You're Sober

The first single

Released on Digital format in August 15, 2006

Released on CD format in September 25, 2006


Lithiumpartone.jpg

Lithium

The second single

Released on CD format in January 8, 2007


SSsingle.jpg

Sweet Sacrifice (Germany only)

The third single

Released on Digital format in May 25, 2007, limited

Released on CD format in May 25, 2007, limited


Goodenough.jpg

Good Enough

The fourth single

Original release date November 30, 2007

Eventually cancelled


Wotwcover.jpg

Weight of the World (South America Only)

The fifth single

Released in October 2007, limited to radio


Credits

Credits taken from Allmusic and from the liner notes of the booklet.

Lineup

Production Team

  • Tamara Berard – Choir
  • Melanie Bruno – Choir
  • Alyssa Campbell – Choir
  • David Campbell – Orchestral arrangements
  • Marcella Carmona – Choir
  • Kevin Dalbey – Choir
  • Rory Faciane – Drum technician
  • Dave Fortman – Audio production, mixing, producer
  • Mary Gaffney – Choir
  • Bon Harris – Programming
  • DJ Lethal - Programming
  • Mike Hogue – Assistant engineer
  • Simon James – Concert master
  • Ted Jensen – Mastering
  • Lori Lee and Carrie Lee - Background vocals on Call Me When You're Sober
  • Andrew Lurie – Management
  • Darren Majewski – A&R
  • Gail Marowitz – Art direction
  • Diana Meltzer – A&R
  • The Millenium Choir – Choir
  • Mike Mongillo – Product manager
  • Frank Ockenfels – Photography
  • Joanne Paratore – Choir
  • Jeremy Parker – Engineer
  • Darryl Phinnessee – Choir
  • David Sabee – Contractor
  • Seattlemusic Group – Group
  • Wesley Seidman – Assistant engineer
  • Ed Sherman – Package design
  • Dwight Stone – Choir
  • Tania Themmen – Choir
  • Talaya Trigueros – Choir
  • Lisa Wall Urgero – Choir
  • Gregg Wattenberg – A&R
  • Susan Youngblood – Choir

The Artwork

Above each lyric, there are different images. They are analogous to the lyrics, as this is the art purpose. It should be noted that these are fan interpretations.

Digital Art for Lithium
Digital Art for Lacrymosa
Digital Art for Like You
  • Sweet Sacrifice: a moth, like butterflies, represent what is called "You poor sweet innocent thing." In the psychological symbols[3] of dreamings, the butterfly represents freedom, like in "Now that I'm unchained"; in the christian symbolism, the butterfly is on the one hand resurrection and immortality and on the other empty vanity and triviality, due to its short life and beauty. The meaning of the butterfly is, however, on its metamorphosis, from egg to caterpillar and from chrysalis, stuck in strict death, to insect with wings and shining colors turned to the sunlight. So in the antiquity, it was already a symbol of the soul, because it doesn't end with the death. The part of the song that represents this whole symbolism is at the end, when Amy sings "I dream in the darkness, I sleep to die, Erase the silence, Erase my life, Our burning ashes blacken the day, A world of nothingness blow me away."
  • Call Me When You're Sober: there is a honeypot ant, which gather honeydew from scale insects and psyllids (jumping plant lice) and feed it to other workers at a later date. They are highly valued source of sugar for the Aborigines of central Australia. It can be connected to the addiction and the necessity of the other person in the song.
  • Weight of the World and Lithium: in those lyrics, an umbrella reminds protection, something that doesn't let other things to touch us, like in the parts "Like all my screaming has gone unheard" and "If you love me, then let go of me" from Weight of the World and "Don't wanna lock me up inside" and "Can't break free until I let it go - let me go" from Lithium. The umbrella reminds so Mary Poppins, that used it to fly "Freefall, freefall, all through life." In Lithium, the digital version has a bug on it, like the one in the insert of the US radio single.
  • Cloud Nine: there is a bird, analogous to freedom and linked to the parts "If you want to live, let live" and "I just want to feel that high."
  • Snow White Queen: according to the inspiration for the song, a cage fence the unique bird. There is adoring and illness in the lyric - "There's nowhere to run", "Soon I know you'll see you're just like me" and "Don't scream anymore, my love, 'cause all I want is you."
  • Lacrymosa and Like You: There are no symbols for these songs on the album. For the digital version of The Open Door, the Lacrymosa and Like You lyrics have special images too. They represent the whole song - a teardrop in Lacrymosa and a coffin in Like You.
  • Lose Control: a lamb appears in the page, explicit quoted in the lyric, "my lamb." There can be also a connection to the American nursery rhyme (traditional song or poem taught to young children in the development of vocabulary) called Mary Had a Little Lamb, that was recorded by many different artists, linking to the part "Mary had a lamb."
  • The Only One: there is a mythological animal, the Griffon, that lays golden eggs and has a great justice sense; this is the representation of the wonder, and so it is well connected to the whole song, including the title.
  • Your Star: a telescope appears in this page, instrument used to see stars and planets far from Earth - "I can't see your star."
  • Good Enough: the necklace with the heart pendant shows all the love where the song is drown.

See also

Notes and References

  1. "Heading Into the Studio". Evanescence.com. Archived from the original on May 18, 2011. http://web.archive.org/web/20110518080227/http://evanescence.com/news.asp. Retrieved May 13, 2013.
  2. Titus, Christa (June 20, 2011). "Amy Lee: New Evanescence Album Is 'Much More of a Band Collaboration'". Billboard. http://www.billboard.com/articles/news/470555/amy-lee-new-evanescence-album-is-much-more-of-a-band-collaboration. Retrieved May 13, 2013.
  3. Herder Lexikon, Dicionário de Símbolos, Cultrix, 1994. ISBN: 8531601290