The Open Door

The Open Door
Released	September 25, 2006
Recorded	September 2005 - March 2006
Label	Wind-up Records
Length	54:15
Producer	Dave Fortman
Previous Release	Anywhere But Home (2004)
Next Release	Evanescence (2011)
Singles	"Call Me When You're Sober" "Lithium" "Sweet Sacrifice" "Good Enough" "Weight of the World" (Colombia)

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The Open Door is Evanescence's second studio album and third album overall. It was released on September 25, 2006 in Poland, September 30 in Australia and October 3 in North America. The album was recorded at The Record Plant in Hollywood, California, and mixed at Ocean Way Studios in March of 2006. Has since sold more than 5 million copies worldwide, with 2.1 million copies sold in the US alone.

The piano is the principal instrument for the album. The album was leaked to the public on September 4th, 2006.

On June 2006 (four months before the album's release), Amy posted on EvBoard.com:

I hope you all love the record, I know I do, but just one tip about it- each song really has a life of its own. It would be impossible to judge the record on one song alone. Some are much heavier than we've ever been before, some more soulful, some more fun- the only word that really describes all of them is "more." ...as I'm reading this I still think its all meaningless without hearing the album. Just be open minded, because I wasn't aiming to give people what they expect.

Amy referred to the album's title during an interview:

I feel like I've got that out of my system. I’m happy. I feel good now. I feel free. That's why the album is called The Open Door because I feel like all the doors in my life I pushed open, and now I can do whatever I want.

Tour

Amy Lee performing in April 2007.

The Open Door Tour was Evanescence's second concert tour which lasted from October 2006 to December 2007. The tour kicked off with a concert at Toronto, Canada on October 5, 2006, followed by concerts at Montreal on October 6, Boston on October 7, and New York on October 9. The band continued performing concerts in North America for October. The band later started performing in Europe in November, before going back to the US in 2007 to play in large venues. In the United States and Europe, Evanescence was supported by Revelation Theory, and in Canada the band was supported by The Black Maria and Stone Sour.

It's been two years since we stopped touring. So it's been awhile, and I'm a little nervous, but I'm mostly just excited. By the end of touring the last time, we were just dying to write more songs and play some new material. So, by now, after all the recording and writing and creating, we're just ready to get back out there and play it and see how it goes again.

The tour continued with the band playing places in Canada, Japan, and Australia in January and February 2007, and later returning to the US on March 16. The band later left the US to tour in South America, starting with a concert in Chile on April 12. The band later performed some concerts in South Africa, and again later returned to the US. The band played at the PinkPop festival in Holland on May 28 and the Rock am Ring festival on June 3, followed by concerts in Russia, Greece, Turkey and Israel. Evanescence co-headlined the 2007 Family Values Tour with Korn, starting with a concert in St. Louis on July 20. The band later embarked on the last leg of the tour in Mexico and the US, starting with Florida on October 23. During this time, the band started performing songs such as "Lose Control", "Missing" and "Understanding". Evanescence put on a private performance for Yahoo! Nissan Live Sets on November 12, also taking part in a Q&A with fans who attended the concert. The tour ended with a concert at Rhode Island on December 8.

Track listing

1. "Sweet Sacrifice"
2. "Call Me When You're Sober"
3. "Weight of the World"
4. "Lithium"
5. "Cloud Nine"
6. "Snow White Queen"
7. "Lacrymosa"
8. "Like You"
9. "Lose Control"
10. "The Only One"
11. "Your Star"
12. "All That I'm Living For"
13. "Good Enough"

Japanese edition bonus track

14. "Call Me When You're Sober" (Acoustic version)

Japanese limited edition

15. "Call Me When You're Sober" (Video)
16. Making of the Video

B-sides

During an interview with Metal Edge, Amy confirmed three B-sides:

• "If You Don't Mind"
• "The Last Song I'm Wasting on You"
• "Together Again"

Singles

Call Me When You're Sober

The first single

Released on Digital format in August 15, 2006

Released on CD format in September 25, 2006

Lithium

The second single

Released on CD format in January 8, 2007

Sweet Sacrifice (Germany only)

The third single

Released on Digital format in May 25, 2007, limited

Released on CD format in May 25, 2007, limited

Good Enough

The fourth single

Original release date November 30, 2007

Eventually cancelled

Weight of the World (Colombia only)

The fifth single

Released in October 2007, limited to radio

Credits

Credits taken from Allmusic and from the liner notes of the booklet.

Lineup Amy Lee – Vocals/piano Terry Balsamo – Guitar John LeCompt – Guitar Will Boyd – Bass Rocky Gray – Drums Production team Tamara Berard – Choir Melanie Bruno – Choir Alyssa Campbell – Choir David Campbell – Orchestral arrangements Marcella Carmona – Choir Kevin Dalbey – Choir Rory Faciane – Drum technician Dave Fortman – Audio production, mixing, producer Mary Gaffney – Choir Bon Harris – Programming DJ Lethal - Programming Mike Hogue – Assistant engineer Simon James – Concert master Ted Jensen – Mastering Lori Lee and Carrie Lee - Background vocals on "Call Me When You're Sober" Andrew Lurie – Management Darren Majewski – A&R Gail Marowitz – Art direction Diana Meltzer – A&R The Millenium Choir – Choir Mike Mongillo – Product manager Frank Ockenfels – Photography Joanne Paratore – Choir Jeremy Parker – Engineer Darryl Phinnessee – Choir David Sabee – Contractor Seattlemusic Group – Group Wesley Seidman – Assistant engineer Ed Sherman – Package design Dwight Stone – Choir Tania Themmen – Choir Talaya Trigueros – Choir Lisa Wall Urgero – Choir Gregg Wattenberg – A&R Susan Youngblood – Choir The artwork Above each lyric, there are different images. They are analogous to the lyrics, as this is the art purpose. It should be noted that these are fan interpretations. Digital Art for Lithium Digital Art for Lacrymosa Digital Art for Like You Sweet Sacrifice: a moth, like butterflies, represent what is called "You poor sweet innocent thing." In the psychological symbols of dreamings, the butterfly represents freedom, like in "Now that I'm unchained"; in the christian symbolism, the butterfly is on the one hand resurrection and immortality and on the other empty vanity and triviality, due to its short life and beauty. The meaning of the butterfly is, however, on its metamorphosis, from egg to caterpillar and from chrysalis, stuck in strict death, to insect with wings and shining colors turned to the sunlight. So in the antiquity, it was already a symbol of the soul, because it doesn't end with the death. The part of the song that represents this whole symbolism is at the end, when Amy sings "I dream in the darkness, I sleep to die, Erase the silence, Erase my life, Our burning ashes blacken the day, A world of nothingness blow me away." Call Me When You're Sober: there is a honeypot ant, which gather honeydew from scale insects and psyllids (jumping plant lice) and feed it to other workers at a later date. They are highly valued source of sugar for the Aborigines of central Australia. It can be connected to the addiction and the necessity of the other person in the song. Weight of the World and Lithium: in those lyrics, an umbrella reminds protection, something that doesn't let other things to touch us, like in the parts "Like all my screaming has gone unheard" and "If you love me, then let go of me" from Weight of the World and "Don't wanna lock me up inside" and "Can't break free until I let it go - let me go" from Lithium. The umbrella reminds so Mary Poppins, that used it to fly "Freefall, freefall, all through life." In Lithium, the digital version has a bug on it, like the one in the insert of the US radio single. Cloud Nine: there is a bird, analogous to freedom and linked to the parts "If you want to live, let live" and "I just want to feel that high." Snow White Queen: according to the inspiration for the song, a cage fence the unique bird. There is adoring and illness in the lyric - "There's nowhere to run", "Soon I know you'll see you're just like me" and "Don't scream anymore, my love, 'cause all I want is you." Lacrymosa and Like You: There are no symbols for these songs on the album. For the digital version of The Open Door, the Lacrymosa and Like You lyrics have special images too. They represent the whole song - a teardrop in Lacrymosa and a coffin in Like You. Lose Control: a lamb appears in the page, explicit quoted in the lyric, "my lamb." There can be also a connection to the American nursery rhyme (traditional song or poem taught to young children in the development of vocabulary) called Mary Had a Little Lamb, that was recorded by many different artists, linking to the part "Mary had a lamb." The Only One: there is a mythological animal, the Griffon, that lays golden eggs and has a great justice sense; this is the representation of the wonder, and so it is well connected to the whole song, including the title. Your Star: a telescope appears in this page, instrument used to see stars and planets far from Earth - "I can't see your star." All That I'm Living For: the key symbolizes the part "Lock the last open door." Good Enough: the necklace with the heart pendant shows all the love where the song is drown. See also Making of The Open Door Cover The Open Door songbook The Open Door Releases Catocala Lacrymosa References