Dark Water: Difference between revisions
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== General information == | == General information == | ||
[[File:Dark Water lyric sheet.jpg|230px|thumb|right|Lyric sheet of "Dark Water", posted by Amy on Facebook.]] | [[File:Dark Water lyric sheet.jpg|230px|thumb|right|Lyric sheet of "Dark Water", posted by Amy on Facebook.]] | ||
''Written by: [[A. Lee]]'' | ''Written by: [[A. Lee]], [[Dave Eggar|D. Eggar]] and [[Chuck Palmer|C. Palmer]]'' | ||
"'''Dark Water'''" is a song on [[Amy Lee]]'s soundtrack album ''[[Aftermath]]'', which | "'''Dark Water'''" is a song on [[Amy Lee]]'s soundtrack album ''[[Aftermath]]'', which was released on August 25, 2014. It features vocals from world singer Malika Zarra; when asked about this in an interview, Amy stated: | ||
{{quote|I don't sing in Arabic. They were like "We need a song with a little bit of a world-music type thing," but ultimately, it didn't get used in the film. It's me and Dave Eggar and the other collaborator, his name's Chuck Palmer he did a lot of the percussion, engineering and producing a lot of the stuff. Anyway, he made this drum loop beneath this whole thing and we had a guy play an instrument called an oud, kind of like an old-fashioned lute or mandolin or something. And Dave, he was the leader of the whole thing, he's like "OK, we've got this world singer Malika Zarra, she's really cool and I'm going to go in the other room and you just get something cool out of her." | {{quote|I don't sing in Arabic. They were like "We need a song with a little bit of a world-music type thing," but ultimately, it didn't get used in the film. It's me and Dave Eggar and the other collaborator, his name's Chuck Palmer he did a lot of the percussion, engineering and producing a lot of the stuff. Anyway, he made this drum loop beneath this whole thing and we had a guy play an instrument called an oud, kind of like an old-fashioned lute or mandolin or something. And Dave, he was the leader of the whole thing, he's like "OK, we've got this world singer Malika Zarra, she's really cool and I'm going to go in the other room and you just get something cool out of her." | ||
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So I'm with this girl who has no idea who I am, and I'm like "I wrote some lyrics in English, and I know you speak Arabic, can you use these as a basis, just go in there and change the order, scat for as long as you can, just sing." So she goes in there, she's got a beautiful voice and she sang for like 20 minutes. We did it two times and I coached her on a few parts, to get more material, and then I took it home and let it live in my studio. I never saw her again, but as I just listened to her voice, I heard these really amazing moments, so I'd clip them out and move it down to the track. It was like cherry picking. It probably makes zero sense, it might as well be Sigur Rós. But to work with an artist in a capacity like that was really, really amazing.<ref>{{cite news|last=Montgomery|first=James|title=Amy Lee on 'Aftermath' and Returning to the Road|url=http://www.rollingstone.com/music/features/amy-lee-on-aftermath-and-returning-to-the-road-20140814|accessdate=August 14, 2014|newspaper=Rolling Stone|date=August 14, 2014}}</ref>}} | So I'm with this girl who has no idea who I am, and I'm like "I wrote some lyrics in English, and I know you speak Arabic, can you use these as a basis, just go in there and change the order, scat for as long as you can, just sing." So she goes in there, she's got a beautiful voice and she sang for like 20 minutes. We did it two times and I coached her on a few parts, to get more material, and then I took it home and let it live in my studio. I never saw her again, but as I just listened to her voice, I heard these really amazing moments, so I'd clip them out and move it down to the track. It was like cherry picking. It probably makes zero sense, it might as well be Sigur Rós. But to work with an artist in a capacity like that was really, really amazing.<ref>{{cite news|last=Montgomery|first=James|title=Amy Lee on 'Aftermath' and Returning to the Road|url=http://www.rollingstone.com/music/features/amy-lee-on-aftermath-and-returning-to-the-road-20140814|accessdate=August 14, 2014|newspaper=Rolling Stone|date=August 14, 2014}}</ref>}} | ||
On August 18, 2014, Amy started a competition on Facebook, Instagram and [[Twitter]]. People would post their favorite Amy Lee lyric of all time with the hashtag "#AmyLeeAftermath" and the winner | On August 18, 2014, Amy started a competition on Facebook, Instagram and [[Twitter]]. People would post their favorite Amy Lee lyric of all time with the hashtag "#AmyLeeAftermath" and the winner received a signed copy of the original lyric sheet for "Dark Water".<ref>{{cite web|last=Lee|first=Amy|title=If you’d like to win a signed copy of the original...|url=https://www.facebook.com/AmyLeeOfficial/photos/a.759594824092290.1073741827.740500432668396/818873008164471/?type=1&relevant_count=1|work=Facebook|date=August 18, 2014|accessdate=August 18, 2014}}</ref> | ||
== Versions == | == Versions == |
Revision as of 04:33, 25 August 2014
Dark Water está disponible en español. Ver el artículo
Το άρθρο Dark Water είναι διαθέσιμο στα ελληνικά. Δείτε το άρθρο Dark Water è disponibile in italiano. Vedi l'articolo Dark Water está disponível em português. Ver o artigo |
General information
Written by: A. Lee, D. Eggar and C. Palmer
"Dark Water" is a song on Amy Lee's soundtrack album Aftermath, which was released on August 25, 2014. It features vocals from world singer Malika Zarra; when asked about this in an interview, Amy stated:
I don't sing in Arabic. They were like "We need a song with a little bit of a world-music type thing," but ultimately, it didn't get used in the film. It's me and Dave Eggar and the other collaborator, his name's Chuck Palmer he did a lot of the percussion, engineering and producing a lot of the stuff. Anyway, he made this drum loop beneath this whole thing and we had a guy play an instrument called an oud, kind of like an old-fashioned lute or mandolin or something. And Dave, he was the leader of the whole thing, he's like "OK, we've got this world singer Malika Zarra, she's really cool and I'm going to go in the other room and you just get something cool out of her."
So I'm with this girl who has no idea who I am, and I'm like "I wrote some lyrics in English, and I know you speak Arabic, can you use these as a basis, just go in there and change the order, scat for as long as you can, just sing." So she goes in there, she's got a beautiful voice and she sang for like 20 minutes. We did it two times and I coached her on a few parts, to get more material, and then I took it home and let it live in my studio. I never saw her again, but as I just listened to her voice, I heard these really amazing moments, so I'd clip them out and move it down to the track. It was like cherry picking. It probably makes zero sense, it might as well be Sigur Rós. But to work with an artist in a capacity like that was really, really amazing.[1] |
On August 18, 2014, Amy started a competition on Facebook, Instagram and Twitter. People would post their favorite Amy Lee lyric of all time with the hashtag "#AmyLeeAftermath" and the winner received a signed copy of the original lyric sheet for "Dark Water".[2]
Versions
Studio versions:
Dark Water
- Recording date: 2013–2014
- Status: Released
- Released on: Aftermath (track #4)
- Length: 3:29
Lyrics
(from image posted by Amy)
I thought I heard your footsteps
Coming up the stairs
But it was only my heart
Pounding in my ears
I thought I saw your light
Flicker in the window
But it was only my eyes
Reflecting my despair
And alone I will wander
Through the dark, dark water
Until I collect every shattered piece
of my broken heart
And wait for a reason to exist again
References
- ↑ Montgomery, James (August 14, 2014). "Amy Lee on 'Aftermath' and Returning to the Road". Rolling Stone. http://www.rollingstone.com/music/features/amy-lee-on-aftermath-and-returning-to-the-road-20140814. Retrieved August 14, 2014.
- ↑ Lee, Amy (August 18, 2014). "If you’d like to win a signed copy of the original...". Facebook. https://www.facebook.com/AmyLeeOfficial/photos/a.759594824092290.1073741827.740500432668396/818873008164471/?type=1&relevant_count=1. Retrieved August 18, 2014.
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